All :: Novels
The Color of Water
As a boy, I never knew where my mother was from -- where she was born, who her parents were.
The Sonnets
From fairest creatures we desire increase,<br> That thereby beauty's rose might never die,<br>But as the riper should by time decrease,<br>His tender heir might bear his memory:<br>But thou, contracted to thine own bright eyes,<br>Feed'st thy light's flame with self-substantial fuel,<br>Making a famine where abundance lies,<br>Thyself thy foe, to thy sweet self too cruel.
American Psycho
ABANDON ALL HOPE YE WHO ENTER HERE, is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Misérables on its side blocking the view, but Price who is with Pierce & Pierce and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so.
The Bean Trees
I have been afraid of putting air in a tire ever since I saw a tractor tire blow up and throw Newt Hardbines's father over the top of the Standard Oil sign.
Nightwood
Early in 1880, in spite of a well-founded suspicion as to the advisability of perpetuating that race which has the sanction of the Lord and the disapproval of the people, Hedvig Volkbein—a Viennese woman of great strength and military beauty, lying upon a canopied bed of a rich spectacular crimson, the valance stamped with the bifurcated wings of the House of Hapsburg, the feather coverlet an envelope of satin on which, in massive and tarnished gold threads, stood the Volkbein arms—gave birth, at the age of forty-five, to an only child, a son, seven days after her physician predicted that she would be taken.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction
One night some twenty years ago, during a siege of mumps in our enormous family, my youngest sister, Franny, was moved, crib and all, into the ostensibly germ-free room I shared with my eldest brother, Seymour.At times, frankly, I find it pretty slim pickings, but at the age of forty I look on my old fair-weather friend the general reader as my last deeply contemporary confidant, and I was rather strenuously requested, long before I was out of my teens, by at once the most exciting and the least fundamentally bumptious public craftsman I've ever personally known, to try to keep a steady and sober regard for the amenities of such a relationship, be it ever so peculiar or terrible; in my case, he saw it coming on from the first.
High Fidelity
My desert-island, all-time, top five most memorable split-ups, in chronological order:<br>1) Alison Ashworth<br>2) Penny Hardwick<br>3) Jackie Allen<br>4) Charlie Nicholson<br>5) Sarah Kendrew.
Fear and Loathing in Las Vegas
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like 'I feel a bit lightheaded; maybe you should drive . . .' And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming, 'Holy Jesus! What are these goddamn animals?'
🏆 Hall of Fame
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